2025
Form Under Observation
Sculpture
Title ‘Crouching (0.44), Covering torso(0.52),
Sad(0.23), Nudity likelihood (0.61) Material [Wet clay, Camera, Pose estimation algorithm,
classification pipeline]
Size 80 x 65 x 40 cm
Year 2025
Surveillance view
Title ‘False positive’
Material [Aluminium, Ipad, Pose estimation algorithm, Camera]
Size 29 x 11 x 5 cm
Size 1080 x 1920 px
Year 2025
While the artist’s studio is often imagined as a private, self-contained space of creative freedom, Kind’s studio setup shows it as infiltrated by historical and contemporary systems of judgment.
From classical canons of proportion and physiognomy to algorithmic social media platforms and surveillance systems, bodies and artworks are continuously measured, classified, and evaluated. In this context, Kind deliberately hands part of her agency to technologies of control. She modifies gestures, forms, and compositions to align with prevailing attention regimes.
